Posts Tagged ‘Bebo’

March 10th, 2009

A small step for Channel Four and a giant leap for TV?

So, Channel Four is to monetize its content on YouTube and Bebo by running pre-roll ads on their programme clips. This is interesting stuff. In a month when UK broadcasters have had to stomach some big doses of bad news, here is some light at the end of the tunnel. There’s a mutual raison d’etre here. Social media giants like YouTube have to find ways of monetising their content before investors start to lose patience and broadcasters like Channel Four need to find ways of monetizing their content before they fall even deeper into financial trouble.

The digital age is an age of partnerships where one time enemies can, and sometimes must, become friends. To succeed companies need to see old competitors as new companions. Rather than scrapping over content ownership and rights (another social media story today), it looks like Channel Four and YouTube are trying to make it work in the brave new world. Of course, this move won’t solve all Channel Four’s strategic and financial problems but it is the kind of creative thinking that’s going to be required to get broadcasters and social media platforms through these troubled times

On a separate but not unrelated point, it’s interesting to note that today ITV has announced it is parting company with its head of online revenue. Sometimes what these guys do behind the scenes is as interesting as the programmes they transmit.

February 17th, 2009

Should twitter charge?

Twitter is talk of the town in UK marketing circles this week. But the discussion isn’t about the fun of using twitter or the reasons why people do or don’t use it, or when they use it, or how often or who with. No, it’s about whether or not twitter should charge brands for using its services.

You can’t blame twitter for trying,  they have bills to pay just like the rest of us - and like the rest of social media.  Despite their incredible growth, social media brands are caught in digital Catch-22;   they can get right into the highly prized personal space of individual consumers. But unfortunately, these high levels of personal involvement come at a price;  when consumers are facebook-ing, twitter-ing, myspace-ing or bebo-ing,  they are so highly involved in generating their own content that they are not very interested in advertise-ing. The display model is virtually impossible to crack in these environments - especially on a click/sales performance basis.

So if the social media channels can’t make display pay what other areas of potential revenue can they look at? There are two obvious alternatives. Data and subscriptions.

Some big and successful businesses have been built selling customer data and using data to generate customer sales leads. Social media sites can gather all sorts of data but there’s a hitch here.   Both formal privacy regulations and “online morals” (e.g. Facebook’s Beacon rebellion) make monetizing social media member data a difficult area.

The other route is subscription revenue, but asking for a subscription fee risks losing members and slowing growth. That’s a risk social media can’t take. I’d bet that every venture capital presentation they make starts with a great looking exponential growth chart because, for the time being at least,  growth is keeping the financiers happy.

So without revenue from traditional display, data sales or subscription revenues, how can social media companies make a living?  Brands I’m afraid are an obvious target for two reasons. First, they’ve got money and second, charging brands does not affect the growth of the user base.

All the pioneers of social media have got to do now is find a way of creating a trade between their social assets (us) and brands’ desire for close engagement. Social media stakeholders are going to be very focussed on answering this question because if they can’t, some aspects of social media will quickly move from being the talk of the town to being a thing of the past.

March 29th, 2007

How can brands use MySpace and YouTube?


Looks like the election campaign of a young Liberal Democrat candidate has nosedived after pictures of him drunk out of his mind were posted onto his MySpace and Bebo sites by his ‘mates’ ….and then picked up by a local Scottish newspaper. Curtains too for the biker who filmed himself doing 170 mph and pulling wheelies on the A1 with a bike mounted camera and posted his antics on YouTube. Unluckily for him, he’s been identified by police and faces prison for reckless driving. No doubt if the ‘Angel Tube Skier’ (pic) is identified, he’ll get six points on his Oyster card.

While all this is going on, brands aspire to get their message out onto social media sites like YouTube and MySpace. Just as building a meaningless brand website was all the rage in the late 1990’s, so it seems a presence on YouTube is now de-rigeur - or worse still - “cool” and “in touch” with young web users.

Recently, I took a look at the YouTube channel of a reasonably well known FMCG drinks brand. It featured some short films about the product and a selection of TV ads. Launched in 2006, the channel has 95 subscribers and the best ranking film has had around 6,000 views. If we accept that these numbers represent a low level of interest, then the challenge for FMCG brands is firstly to understand how consumers use sites like YouTube and secondly, to understand how it can work as a communication channel for brand owners.

Simply showing brand or product film is not compelling. As John Bell, Executive Creative Director at Ogilvy PR in Washington points out, “Nobody wants to watch a long TV commercial filled with brand messages. A simply clever :90-1:00 TV spot does not make for compelling video in the YouTube universe. Period.” He argues that the current vogue of simply uploading content onto YouTube is an easy way of appearing to be “involved with ’social media’ without having to actually enter a two-way conversation.”

So how do brands crack YouTube as a communication channel? Chad Hurley, CEO and cofounder of YouTube gives us some advice: “Advertisers now have a highly targeted opportunity for aligning their brands alongside the entertainment experience people are enjoying on YouTube.”

We have to accept that the content coming from brands is generally less rewarding to consumers than de-facto entertainment. So, even though we are in the Web 2.0 environment, the best way for most brands to communicate may well be something akin TV advertising’s good old fashioned “ads/sponsorship around content” model.