Posts Tagged ‘diminishing returns’

March 19th, 2010

More advertising budget means more sales right? Not quite.

Consider this. A £50k budget produces 460 sales but £100k only produces 530 sales. That means that for the second £50k, you only generate an additional 70 sales. The return from the second £50k is disastrous from an ROI perspective. The cost per sale generated by the first £50k is £108 but the cost per sale in the second £50k is £714.  Many agencies would simply report 530 sales from £100k giving a cost per sale of £188.  But that average cost per sale clouds terrible inefficiencies. It’s obvious that not controlling diminishing returns can seriously undermine campaign performance and have an even worse effect than running poor creative work.

Yet this area does not get anything like the attention it deserves in advertising and media agencies. How many times have you heard of incorrect budget allocation being cited as a cause of poor campaign performance? No often.  Agencies and advertisers usually seek to explain poor performance by factors like poor market conditions, uncompetitive offer, poor creative, weak targeting etc.

Joy Joseph of the School of Business at the University of Connecticut wrote a paper called ‘Understanding Advertising Adstock Transformations’ in 2005. In this paper she observes that “advertising can also have diminishing returns to scale or in other words the relationship between advertising and demand can be nonlinear. For example, the effect of 200 GRPs of advertising in a week on demand for a brand maybe less than twice that achieved with 100 GRPs of advertising. Typically, each incremental amount of advertising causes a progressively lesser effect on demand increase. This is a result of advertising saturation.”

To quantify these points she provides this example, “[If] for 100 GRPs the sales effect of advertising would be 4.6 units and for 200 GRPs the sales effect would be 5.3 units…… a 100% increase in advertising we would only have a 15% increase in sales”. In other words increasing budget clearly does not increase sales. What actually happens is that sales decrease with every additional unit of spend.

What’s interesting this that many agencies and media owners still cling to the idea that 3-5 exposures are required to generate “awareness and understanding” of advertising creative. They say old habits die hard and this is no exception. The 5-8 exposure rule actually has its roots in a paper written by an amateur media planner called Thomas Smith in 1885. That’s right 1885 - 125 years ago. These days we don’t ride around in trains from 1885, nor do we consume the medical potions of 1885. Come to think of it our Queen is called Elizabeth and not Victoria. So why on earth more than century later, are people still using Victorian media research to plan marketing communications?

The message of diminishing returns is simple. You cannot spend your way out of trouble but you can certainly spend your way into it. By not controlling budgets properly you can reach a point where the sales generated cannot be profitable. If you plough money into generating unprofitable sales, you’re building a business that burns money.

If you’re one of those advertisers spending most of your budget in one channel, take a close look at exactly what is returned at different levels of spend. Even super sales efficient channels like PPC are subject to the same diminishing returns rules. If you want to optimise your campaign performance try spending less. Less in each channel. Less on each day. Less on each keyword. Less on each Google ad group, Less on each creative treatment.  Smaller space sizes. Shorter commercials. You will find that less can indeed be more.

December 1st, 2008

Advertising Frequency and Diminishing Marginal Utility

Economists have a concept called Diminishing Marginal Utility. This means that each additional time a consumer consumes something they get less satisfaction from consuming it. So, if I have one coffee, I find it very satisfying, two could be OK, but by the time I get to three I’m not getting much additional satisfaction, infact, I’m going off coffee pretty fast. And if I were to drink ten coffees I’d feel like I was being tortured.

Now let me apply this thinking to the world of TV advertising and in particular, sponsorship. In the UK, quality drama is a favourite for sponsorship. One of the reasons for this is that these programmes attract a high quality loyal audience who make an appointment to view. Certain drama strands can be sponsored heavily in a cross-programme deal covering different programmes in the same genre. Whilst this may appear to present great media value it can mean over-exposure for both brands and consumers. Seeing a break bumper a couple of times is fine, but seeing the same branded break bumper ten times in the same evening can seem like drinking that tenth cup of coffee.